Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

When Pippin opened in 1972, it was a sensation. Directed and choreographed by Bob Fosse, who was coming off his Academy Award-winning film version of Cabaret, it was a showbiz triumph of jazz hands, sexy dancing and theatrical magic.

Matilda is a well-loved book by Roald Dahl, who's been called the greatest children's storyteller of the 20th century. It's about a much-put-upon little girl with tremendous gifts. Now, Matilda has been turned into a Broadway musical.

The British import, which won last year's prestigious Olivier Award and features a revolving cast of four little girls in the lead role, opens in New York tonight.

When I was a teenager falling in love with the theater, I picked up a book called Broadway's Greatest Musicals. The sole criterion for inclusion was that a show run for at least 500 performances, which translates to about a year and a quarter.

How quaint.

Several years ago, when Nora Ephron handed Tom Hanks an early draft of Lucky Guy, her play about tabloid journalist Mike McAlary, he had a pretty strong reaction.

"I said, 'Well, that guy's sure a jerk!' I used another word besides jerk — I know what you can say on NPR," he says. "And she laughed and she said, 'Well, he kinda was. But he was kinda great, too.'"

Twenty years ago, theatrical clowns Bill Irwin and David Shiner collaborated on a Broadway show called Fool Moon — a giddy mixture of slapstick, improv and audience participation that proved such a success that it came back to Broadway for two more runs and toured both the U.S. and Europe. Now Irwin and Shiner have put together a new show called Old Hats, and it's been receiving rave reviews off-Broadway.

Irwin and Shiner's rubber-faced, loose-bodied clowning hasn't gotten easier over two decades.

Friday marks the day that 100 years ago, Grand Central Terminal opened its doors for business for the very first time. The largest railroad terminal in the world, the magnificent Beaux-Arts building is in the heart of New York City on 42nd St. And while it no longer serves long-distance trains, it's still a vibrant part of the city's eco-system.

You've never heard of Jimmy Van Heusen? Well, the American Society of Composers, Authors and Publishers has. You certainly know many of his songs, says Brook Babcock, Van Heusen's grandnephew and president of his publishing company.

The cliche about writers is they should write what they know, and that old saw has certainly worked for Quiara Alegria Hudes. The 35-year-old playwright has mined her Puerto Rican family's stories into a series of plays, a musical and even a children's book. Now, her Pulitzer Prize-winning drama, Water by the Spoonful, is being brought to life in the first New York production of the play, opening off-Broadway on Tuesday evening.

The Peony Pavilion is one of China's most famous operas, but uncut performances of this romantic 16th century work can take more than 22 hours. Chinese composer Tan Dun, who's best known for his Academy Award-winning score for the film Crouching Tiger, Hidden Dragon, has adapted the work into a compact 75 minutes.

For more than 50 years, John Williams' music has taken us to galaxies far, far away through adventures here on earth, made us feel giddy joy and occasionally scared us to death.

Everywhere you look right now, it seems like American symphony orchestras are fighting for their lives — strikes, lockouts, bankruptcy. Perhaps the biggest example is the world-renowned Philadelphia Orchestra, which is just coming out of its own bankruptcy. Tonight, its new 37-year-old music director takes the podium as the venerable orchestra begins a reboot.

It's been a tumultuous time for American orchestras. Labor disputes have shut down the Minnesota Orchestra and Indianapolis Symphony, and strikes and lockouts have affected orchestras in Chicago, Atlanta and Louisville in the past year.

It all began last year, when the Library of Congress presented Samuel Beckett's Ohio Impromptu alongside a piece of music by composer Dina Koston, which responded to the text. A New York group, the Cygnus Ensemble, played the music, while Washington, D.C., director Joy Zinoman staged the play, for one night only.

Viola da gamba players are a special breed — a tiny subset in the already small world of early classical music. They rarely meet their own kind, but once a year they come together for a week in July at an annual jam session they call a conclave. Wendy Gillespie, who just finished her term as president of the Viola da Gamba Society of America, says attending the event is the highlight of her year.

Academy Award-winning actress Celeste Holm has died. A star on both stage and screen, Holm was best known for roles in Gentleman's Agreement, All About Eve and Oklahoma! She was 95.

Holm died early Sunday morning in her Manhattan apartment with her husband, family and close friends by her side. She had been hospitalized a couple weeks ago following a fire in actor Robert De Niro's apartment in the same building.

If there was one role that put Holm on the map, it was as the coquettish Ado Annie, in the 1943 hit musical, Oklahoma!

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