Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career, "hired to write for every small paper in Washington, D.C., just as it was about to fold," saw that jink broken in 1984, when he came to NPR.

For more than three decades, Mondello has reviewed movies and covered the arts for NPR News, seeing at least 250 films and 100 plays annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for such diverse publications as USA Today, The Washington Post, and Preservation Magazine, as well as for commercial and public television stations. And he has been a lead theater critic for Washington City Paper, D.C.'s leading alternative weekly, since 1987.

Before becoming a professional critic, Mondello spent more than a decade in entertainment advertising, working in public relations for a chain of movie theaters, where he learned the ins and outs of the film industry, and for an independent repertory theater, where he reveled in film history.

Asked what NPR pieces he's proudest of, he points to commentaries on silent films – a bit of a trick on radio – and cultural features he's produced from Argentina, where he and his husband have a second home. An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says. "As most people see in a lifetime."

Time now for a home viewing recommendation from our film critic Bob Mondello. This time Bob urges taking the plunge from the seven-and-a-half-th floor into the Criterion Collection's Blu-ray release of Being John Malkovich.

That crashing sound you'll hear emanating from cineplexes this weekend will be the sound of comic-book superheroes smashing box-office records.

Actually, the smashing started last weekend, when Marvel's The Avengers opened in 39 territories around the world, scooping up a cool $178 million in three days. And with legions of fans having already bought advance tickets in the U.S., it's a pretty sure bet the box-office bonanza will continue as the film opens in more than 4,000 North American theaters.

Time for another home-viewing recommendation from film critic Bob Mondello. This week, Bob's listening in on Rock Hudson and Doris Day as they make a bit of Pillow Talk.

What happens when the Girl Next Door meets Mr. Beefcake? It's instant chemistry, albeit of the explosive sort — think Mentos and Diet Coke.

Oy, the things daters have to worry about these days. Not just how to dress, act and turn "no" into "go," but how not to become a chirp-chirp girl.

At the start of a bright, sunny day that seems otherwise like any other day, a popular teacher is found dead in her classroom. It was suicide.

The school is traumatized, especially that teacher's students. By the next day, the principal is at her wits' end trying to find someone willing to take the class. So when Bachir Lazhar (Mohamed Fellag) offers to teach, it comes at just the right moment.

Earlier this month, tenor Juan Diego Florez made headlines when he sang the aria "Una furtiva lagrima" in the Donizetti opera L'elisir D'Amore at the Metropolitan Opera — not once, but twice.

The audience responded so enthusiastically that after well over a minute of applause and shouts of "Encore!" he sang the whole thing again — all five minutes of it.

When the College of Cardinals gathers in the Vatican to choose a new church leader — formally the Bishop of Rome — it announces its selection with the Latin phrase "Habemus papam" ("We have a pope").

But suppose that, when a cardinal steps out onto a balcony in St. Peter's Square to utter those fateful words, the gentle soul in white sitting behind him, out of sight of the crowd, develops stage fright.

Time now for a home viewing recommendation from NPR's movie critic, Bob Mondello. He's found himself swept up this week by the 70th Anniversary edition boxed set of Casablanca.

Sixteen-year-old Katniss is an accomplished archer in Suzanne Collins' young adult trilogy, The Hunger Games, so it should be no surprise that in her film incarnation, she's hit the box office bulls-eye. This dystopian wonder (for those who've been living in a cave of late, The Hunger Games is a thriller about a totalitarian society that forces teens to participate in a televised fight to the death) appears poised to join the Harry Potter and Twilight movies in the top echelon of teen-oriented page-to-screen blockbusters.

Hungry for a good dystopia? Well, as you may be gathering from reports of the millions of tickets sold before prints were even shipped to theaters, author Suzanne Collins has a feast for you in the first movie installment of her young-adult trilogy The Hunger Games.

Call it an accident of the calendar: two pairs of filmmaking brothers both opening movies on the same weekend, both films about the awkwardness of growing up. Jeff, Who Lives at Home is a post-mumblecore slacker comedy from the Duplass brothers, Mark and Jay. The Kid with a Bike is a Belgian slice-of-life drama from the Dardenne brothers, Jean-Pierre and Luc.

Robert De Niro's last outing with director Paul Weitz was less than auspicious: The comedy Little Fockers received terrible reviews. Being Flynn, their second collaboration, is a more serious affair about the estranged relationship between a fractious father and his son.

When Hollywood imagines the future, from Logan's Run to Avatar, it tends to picture living spaces as sterile and characterless, without any cultural clues to the person who lives there. No record library, no DVDs, no Hemingway on bookshelves ... often no bookshelves.

In the 11 years since the Oscars introduced an award for Best Animated Feature, the category has been dominated by children's movies, often with computer-animated pandas, penguins and ogres at their center. This year's a little different. Two of the animated films are subtitled, and one is definitely aimed at adults: the Spanish film Chico and Rita, an animated love story steeped in jazz.

Shrek, Hitch, Gattaca: What's in a name? Shakespeare said a rose by any other name would smell as sweet — but for Hollywood the question is more like, "Would that rose, by any other name, sell as many tickets?"

Pages